Novica presents a wide selection of rose quartz jewelry from talented artisans and silversmiths around the world. Sasina prefers to knot the stone by hand on silk for an ethereal strand necklace. Withaya Cheunjit clusters the pale pink gem in his pearl bracelet and necklace designs. Thai designer Nareerat fashions petals from the stone for a floral necklace or a flower earring set or brooch. Its milky aspect is attributed to the presence of tiny rutile needles within the stone.Īn alternate birth stone for those born in January, rose quartz is a favorite in heart rings and makes an exceptional birthstone ring. It has been carved since early times and is often faceted when set in jewelry. The clear pink stone is one of the most desirable varieties of quartz. My rivière might not have been the literal rivière that Queen Charlotte wore, but it's totally relevant for the Georgian era.Always lovely, rose quartz is believed to help ignite the flame of love. "I hope that they can see that it actually was in so many ways because of the craftsmanship. And to those who take issue with the production's Impressionist spin? "People might say it wasn't literal, it wasn't period, they shouldn't have done this," Satloff says. This is all to say that jewelry enthusiasts may have particular fun watching Queen Charlotte. Even candlelight: "You think candlelight has been around forever, but candles were improved in Georgian times to the point where not just royalty but wealthy members of society could have evening events," she says. There was the invention of paste (surviving glass baubles from that epoch can fetch thousands today) and other innovations like using cut steel. ![]() "Diamonds and pearls were absolutely popular but so were garnets, emeralds, rubies, spinel, coral."Īnd jewelry became far more democratic. "Mines in Brazil were opening up and more stones were readily available," Satloff says. ![]() This was also a period of exploration and discovery. Take mourning gems: Queen Victoria may have popularized the concept, wearing sweet remembrances of departed loved ones containing strands of their hair, but they were popular during Charlotte's time, too, as were giardinetti rings. Andrés Oyeulaįoiling is but one example of the sort of innovation that characterized jewelry in Georgian England. "We wanted to honor the Bridgerton world, so we came up with this idea of our palette being more like an Impressionist painting." "On one level we did try to be true to the period, and on another level we wanted to reinvent it," Paolo says. ![]() For Paolo and co-costume designer Laura Frecon, this required finding the delicate stylistic balance between nodding to the past while maintaining that signature irreverent charm. ![]() Factor in the Bridgerton M.O., with its an emphasis on pop culture embellishment-and fun-over stuffy historical fact, and the rocks will most certainly add up.Īnd yet another challenge? While Bridgerton is an entirely fictional world spun from the early aughts novels of Julia Quinn, Queen Charlotte is loosely based on a real figure-she is already a fixture in the former, as a gossip-loving, outrageously coiffed monarch, but now gets a nuanced backstory of her own-putting this show in the canon of recent TV tales centered on the young lives of history's legendary queens. Because as anyone knows, it takes a lot of diamonds-and pearls and sapphires and rubies and emeralds-to adorn royals (last Saturday's coronation confirmed it). "We kept running out of jewelry," says costume designer Lyn Paolo, mastermind of all the silky shimmering splendor of Queen Charlotte, the highly anticipated Bridgerton prequel that finally dropped on Netflix last week.
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